Volume 2 > Metode

Volume 2

A still image taken from 16mm film footage showing a swimming pool blue plastic tub being filled with water. The image is close up, and partly out of focus, showing a blue background and movement in the water. The still is taken from the film On Being and Bathing (2021) by Anna Ulrikke Andersen and Abi Palmer.

Using Someone Else’s Bathwater: A Practice of Coming After.

By Anna Ulrikke Andersen

On Water’s Edge

By Lutz Koepnick

A still image taken from 16mm film footage showing a swimming pool blue plastic tub being filled with water. The image is close up, and partly out of focus, showing a blue background and movement in the water. The still is taken from the film On Being and Bathing (2021) by Anna Ulrikke Andersen and Abi Palmer.

Inclusive design. Discriminating architecture.

By Emma Nilsson

A still image taken from 16mm film footage showing a swimming pool blue plastic tub being filled with water. The image is close up, and partly out of focus, showing a blue background and movement in the water. The still is taken from the film On Being and Bathing (2021) by Anna Ulrikke Andersen and Abi Palmer.

The bathroom may be a space for utopia

By Júlia Ayerbe

A richly coloured painting of a woman in a bathtub.

Three Acts of Bathing—an-other reading

By Jeremy Sharma

Mixed-media collage. The corner of a large, windowless room. Blue watercolour paint seeps from the ceiling edges and trickles down the two walls. Black ink is spattered across one wall and the ceiling. The floor is made of squares cut from magazine images, of bricks, terraced houses, human faces, newsprint, water and abstract patterns in blue and purple.

He Draws Himself a Bath

By David Turner

A still image taken from 16mm film footage showing a swimming pool blue plastic tub being filled with water. The image is close up, and partly out of focus, showing a blue background and movement in the water. The still is taken from the film On Being and Bathing (2021) by Anna Ulrikke Andersen and Abi Palmer.

Post-comfort waterscapes. Navigating pleasure and discomfort.

By Jakub Węgrzynowicz

Brick Dust Matter: Тhe Disappearing Archive and the Mobile Fragment

By Pauline Shongov